Latin American music in the United States
This article needs additional citations for verification. (June 2019) (Learn how and when to remove this template message)
Latin American music has long influenced popular American music, including jazz, rhythm and blues, and even country music, and both Latin American music and American music have been strongly influenced by African music. The genre of Latin American music includes music from Spanish, Portuguese, and (sometimes) French-speaking countries and territories of Latin America. Although Latin American music has also been referred to as "Latin music", the American music industry defines Latin music as any release with lyrics mostly in Spanish regardless if the artist or music originates from Latin America or not.
History [ edit ]
For example, the bridge from "St. Louis Blues" (1914)—"Saint Louis woman, with her diamond rings"—has a habanera beat, prompting Jelly Roll Morton to comment, "You've got to have that Spanish tinge." Many American bands have added a conga player, maracas, or other Latin percussion for just that reason.
The Argentine tango was a worldwide success in the 1930s. Tango dancers and records could be found from Los Angeles to Beijing. It was common in dance halls in the late 1930s and 1940s for a Latin orchestra, such as that of Vincent López, to alternate with a big band because dancers insisted on it. Latin American music was extremely popular with dancers, not only the samba, pasodoble, rhumba, and mambo, but even the conga (adapted for the ballroom).
The term "Latin music" originated from the US due to the growing influence of Hispanic and Latino Americans in the American music market, with notable pioneers including Xavier Cugat (1940s) and Tito Puente (1950s) and then accelerating in later decades. As one author explained the rising popularity from the 1940s: "Latin America, the one part of the world not engulfed in World War II, became a favorite topic for songs and films for Americans who wanted momentarily to forget about the conflagration." Wartime propaganda for America's "Good Neighbor Policy" further enhanced the cultural impact. Pérez Prado ("The Mambo King") is the composer of such famous pieces as "Mambo No. 5" and "Mambo No. 8". At the height of the mambo movement in 1955, Pérez hit the American charts at number one with a cha-cha-chá version of "Cherry Pink and Apple Blossom White". In the 1950s, Perez Prado made the mambo famous, and the Afro-Cuban jazz of Dizzy Gillespie opened many ears to the harmonic, melodic, and rhythmic possibilities of Latin American music and is still influential in salsa.
During the 1940s, music from Latin America was also introduced to large audiences throughout the United States over international radio networks such as CBS. Programs such as Viva America showcased leading musicians from both North and South America in the performance of the Mexican bolero, and included collaborations by leading musicians, vocalist and composers including: Alfredo Antonini, Juan Arvizu, Nestor Mesta Chayres, Eva Garza, Elsa Miranda, John Serry Sr., Miguel Sandoval and Terig Tucci. 
Latin American music imported from Cuba (chachachá, mambo, rhumba) and Mexico (ranchera and mariachi) had brief periods of popularity during the 1950s. The earliest popular Latin American music in the United States came with rhumba in the early 1930s, and was followed by calypso in the mid-1940s, mambo in the late 1940s and early 1950s, chachachá and charanga in the mid-1950s, bolero in the late 1950s and finally boogaloo in the mid-1960s, while Latin American music mixed with jazz during the same period, resulting in Latin jazz and the bossa nova fusion cool jazz.
The first Mexican-Texan pop star was Lydia Mendoza, who began her music recording in 1934. It was not until the 1940s, however, that musica norteña became popularized by female duets like Carmen y Laura and Las Hermanas Mendoza, who had a string of regional hits. The following decade saw the rise of Chelo Silva, known as the "Queen of the (Mexican) Bolero", who sang romantic pop songs.
The 1950s saw further innovation in the Mexican-Texan community, as electric guitars, drums, and elements of rock and jazz were added to conjunto. Valerio Longoria was the first major performer of conjunto, known for introducing Colombian cumbia and Mexican ranchera to conjunto bands. Later, Tony de la Rosa modernized the conjunto big bands by adding electric guitars, amplified bajo sexton and a drum kit and slowing down the frenetic dance rhythms of the style. In the mid-1950s, bandleader Isidro Lopez used an accordion in his band, thus beginning the evolution of Tejano music. The rock-influenced Little Joe was the first major star of this scene.
The "Spanish tinge" was also a common feature of rhythm and blues in the 1950s. The monster hit "Little Darling" was driven by the clave beat and Chuck Berry's "Havana Moon" was a great success. Ritchie Valens, born Ricardo Valenzuela, blew the roof off the hit parade with "La Bamba", originally a Mexican wedding song.
In 1963, Trini Lopez burst on the scene with his chart topping album "Trini Lopez at PJ's". At a popular Los Angeles nightclub where famous Hollywood stars came to party, Frank Sinatra saw Trini and signed him to his own record label, Reprise Records. Trini was the first rock act on Reprise Records who later signed Jimi Hendrix. Trini is a son of an immigrant Mexican couple, who was born in Houston, Texas. He was picked to replace Buddy Holly in the Crickets after Holly's death. Growing up in a Mexican and Black ghetto in Houston, his father bought him a guitar to get him occupied with a hobby that was not gang related. He started as a rockabilly artist in Texas. After moving to Los Angeles with the goal to meet his idol Frank Sinatra, he landed at PJ's nightclub playing solo guitar and singing for a year and a half. He played popular tunes for 4 or 5 sets a night. The folk scene was in full bloom at the time and he incorporated popular folks songs into his sets along with rock standards from Ray Charles to show tunes from West Side Story. His energy and the ability to grab an audience and get them partying is captured live on the 2 albums recorded at PJ's with the addition of drums and bass guitar. International stardom was the result with several folk rock hits including "Lemon Tree" and "If I Had a Hammer", plus a blockbuster remake of La Bamba all recorded live in front of the PJ's crowd. He not only created the fold rock genre, but opened the door for future generations of Latin stars by refusing to change his last name when early record execs scoffed at the idea of a Lopez making a name in the largely Anglo radio and TV world. He later went into film acting and became associated with Frank Sinatra's Rat Pack. He was co-billed with the Beatles in Paris the 2 weeks before they appeared on the Ed Sullivan Show.
Likewise, Tex-Mex and Tejano style featured the conjunto sound, resulting in such important music as "Tequila" by The Champs, "96 Tears" by Question Mark and the Mysterians, Sam the Sham & the Pharaohs, Thee Midniters, and the many combinations led by Doug Sahm, including the Sir Douglas Quintet and the Texas Tornadoes. The Texas Tornadoes featured Freddy Fender, who brought Latin soul to country music. And the Tornadoes' Flaco Jiménez is a genuine conjunto hero, a third-generation accordionist whose grandfather learned the instrument from German settlers in Texas. Johnny Rodriguez is another Latin country star.
Herman Santiago wrote the lyrics to the iconic rock and roll song "Why Do Fools Fall in Love". Another song which became popular in the United States and which is heard during the Holiday season is "Feliz Navidad" by José Feliciano.
1980s crossover acts [ edit ]
Starting in the mid-1980s, Billboard introduced the Top Latin Albums and Hot Latin Tracks charts for Latin music albums and singles. Jose Feliciano was the very first to become known as a "Crossover Artist" and, along with Gloria Estefan, is among the most successful crossover performers in Latin music to date. Puerto Rico's boy band Menudo had several Latin Hits and English songs including 1985's Hold Me #62 on Billboard Hot 100 and #61 on Billboard Hot R&B. Gloria began crossing over to English music in 1984. Estefan at the time was with the Miami Sound Machine. Their more successful follow-up album, Primitive Love, was released in 1985, launching three Top 10 hits on the Billboard Hot 100: "Conga" (U.S. #10), "Words Get in the Way" (U.S. #5), and "Bad Boy" (U.S. #8) became follow–up hits in the U.S. and around the world. "Words Get in the Way" reached No. 1 on the US Hot Adult Contemporary Tracks chart, establishing that the group could perform pop ballads as successfully as dance tunes. The song "Hot Summer Nights" was also released that year and was part of the blockbuster movie Top Gun. Since then Estefan has bridged between both the English and Latin world for the mid to late 1980s, 1990s and 2000s.
1990s Latin explosion [ edit ]
In the mid 1990s, Selena was gaining prominence within the Hispanic music world. Primarily marketed as a Tejano music artist, Selena's success was met with rhythmic Cumbia recordings. After bypassing several barriers within the Tejano industry, she quickly superseded other Latin artist acts and earned the title "Queen of Tejano Music". After being presented with a Grammy for Selena Live!, Selena became the first Latin artist to release four number–one singles in 1994. With a meteoric rise in popularity, Selena was presented with the opportunity to record an English-crossover album.
Months before the release of her English album, Selena was murdered by her fan club president on March 31, 1995, in Corpus Christi, Texas. Selena's incomplete album, titled Dreaming of You, was released in July 1995, topping the Billboard 200. Selena's songs "Dreaming of You" and "I Could Fall In Love" quickly became mainstream hits, and the album became among the top ten best-selling debuts of all time along with being among the best-selling debuts for a female artist. Selena became the first Latin artist, male or female, to have ever debuted with a No. 1 album, partially in Spanish.
Despite, and perhaps fueled by, Selena's death and crossover success, the "Latin explosion" continued in the late 1990s. At that time, a handful of rising stars who shared a Latin heritage were touted as proof that sounds from Latin countries were infiltrating the pop mainstream. These included Ricky Martin, Thalía, Marc Anthony, Enrique Iglesias and Jennifer Lopez, who rendered a Golden Globe performance as Selena on film. Like Estefan and Selena, many of these artists, including some who recorded in English after gaining fame singing in Spanish, had been influenced at least as much by American music and culture.
In 1994, Frank Sinatra personally invited Luis Miguel to participate on a duet in the album Duets II. Luis Miguel has been dubbed several times by the press and the media as the "Latin Frank Sinatra". "Come Fly with Me" was the song of the duet with Luis Miguel.
Ricky Martin gained success with "La Copa de la Vida", which Martin made a major hit in an English version when he was chosen to sing the anthem of the 1998 FIFA World Cup. "The Cup of Life" reached number one on the charts in 60 countries and the English version became No. 45 on the Hot 100 charts. The song went Platinum in France, Sweden and in Australia, where it ultimately became the number one single of the year. The song was awarded "Pop Song of the Year" at the 1999 Lo Nuestro Awards.
Martin at the Grammy Awards was booked to sing on the show's live TV broadcast. The now-legendary performance of "The Cup of Life" stopped the show, earning Martin an unexpected standing ovation and introducing the star to the mainstream American audience. Martin capped off the evening by winning the award for Best Latin Pop Performance. Vuelve became Martin's first Top 40 album on Billboard Top 200 Albums chart in the U.S., where it was certified Platinum by the RIAA. The album notably went to No. 1 in Norway for three weeks, going on to sell eight million copies worldwide.
Martin prepared his first English album in 1999, as the first and most prominent single was "Livin' la Vida Loca", which reached number one in many countries around the world, including the United States, the United Kingdom, Argentina, Australia, Brazil, France, Greece, India, Israel, Italy, Japan, Guatemala, Mexico, Russia, Turkey, and South Africa. He followed up with the hit "She's All I Ever Had" which peaked at No. 2 on The Billboard Hot 100. This album became one of the top-selling albums of 1999, and was certified seven times platinum, selling over 22 million copies worldwide to date.
Also in 1999, attempting to emulate the crossover success of Gloria Estefan, Selena, and Ricky Martin in the anglophone market, Marc Anthony released an English-language Latin Pop self-titled album with the US Top 5 hit single "I Need to Know" and the Spanish version "Dímelo". Other hits include "When I Dream At Night" and "My Baby You". His song "You Sang To Me" was featured in Runaway Bride. The successful dance version was re-mixed by Dutch producer Rene Van Verseveld. The foray was considered a mixed success, partly because it alienated his traditional salsa fans, though "Da La Vuelta" (not a Spanish version of any of the songs) was a salsa song and was a hit.
Enrique Iglesias had begun a successful crossover career into the English language music market. Thanks to other successful crossover acts, Latino artists and music had a great surge in popularity in mainstream music. Iglesias's contribution to the soundtrack of Will Smith's movie Wild Wild West, "Bailamos", became a number–one hit in the US. After the success of "Bailamos", several mainstream record labels were eager to sign Enrique. Signing a multi-album deal after weeks of negotiations with Interscope, Iglesias recorded and released his first full CD in English, Enrique. The pop album, with some Latin influences, took two months to complete and contained a duet with Whitney Houston called "Could I Have This Kiss Forever" and a cover of the Bruce Springsteen song "Sad Eyes". The album's third single, "Be With You", became his second number one.
Jennifer Lopez's debut album On the 6, a reference to the subway line she used to take growing up in Castle Hill, was released on June 1, 1999, and reached the top ten of the Billboard 200. The album featured the Billboard Hot 100 number-one lead single, "If You Had My Love", as well as the top ten hit "Waiting for Tonight", and even the Spanish version of the song "Una Noche Mas" became a hit as well. The album also featured a Spanish language, Latin-flavored duet "No Me Ames" with Marc Anthony, who later would become her husband. Although "No Me Ames" never had a commercial release, it reached number one on the U.S. Hot Latin Tracks.
By the mid-nineties, sales of Spanish language albums in the US by such acts as Luis Miguel, Enrique Iglesias and Ricky Martin had increased to compete with English language acts. To reflect the growing interest in Latin acts the American Music Awards instituted a category for Latin recording artists.
Martin was seen as the forerunner of a trend in pop music of using Latin tropes which the press dubbed a "Latin Pop explosion" or "Latin invasion".
2000s Latin pop boom [ edit ]
After the 1990s, there were very few crossover acts that became successful in the 2000s. The only ones who proved successful were Shakira, Thalía, Paulina Rubio, Jennifer Lopez and Christina Aguilera, although the latter started at first in English and then turned to Spanish. Both Ricky Martin and Enrique Iglesias retained their roles as one of the most successful crossover artists this decade.
Colombian singer Shakira, who had been successful in the Latin world in the late 1990s, began working on an English crossover album in 2001. Thanks to other successful crossover acts in the 1990s, the crossover of Spanish artists to the English market had a great surge of popularity in mainstream music and it was the next logical step to Shakira and her label for her career, and Shakira worked for over a year on new material for the album. "Whenever, Wherever" ("Suerte" in Spanish countries) was released as the first and lead single from Shakira's first English album and third studio album throughout the period of August 2001 and February 2002. The song took heavy influence from Andean music, including the charango and panpipes in its instrumentation. The track was produced by Shakira, and it was an international success by reaching number one in most countries. It was also her first success in the U.S., reaching No. six on the Hot 100.
Shakira's third studio album and first English language album, Laundry Service (Servicio De Lavandería, in Latin America and Spain) was released on November 13, 2001. The album debuted at number three on the U.S. Billboard 200 chart, selling over 200,000 records in its first week. Laundry Service was later certified triple platinum by the RIAA in May 2002 (six months after the album released) as well and thus helped to establish Shakira's musical presence in the mainstream North American market. Seven songs from the album became international singles and hit mainstream as well: "Whenever, Wherever" ("Suerte"), "Underneath Your Clothes", "Objection (Tango)" ("Te Aviso, Te Anuncio (Tango)"), "The One", "Te Dejo Madrid", "Que Me Quedes Tú", and "Poem to a Horse", with four of the singles becoming largely successful.
Because the album was created for the English language market, the rock and Spanish dance-influenced album gained mild critical success, while some critics claimed that her English skills were too weak for her to write songs for it. Rolling Stone stated "She sounds downright silly", and "Shakira's magic is lost in translation." Shakira also was criticized by her Latin fans for seemingly abandoning her folk and rock roots in favor of contemporary American pop music. Despite this fact, the album became the best-selling album of 2002, selling 20 million copies worldwide and becoming the most successful album of her career to date.
After that success, Shakira's second English studio album, Oral Fixation Vol. 2, was released on November 29, 2005. The album debuted at number five on the Billboard 200, selling 128,000 copies in its first week. The album has gone on to sell 1.8 million records in the U.S., earning a Platinum certification from the RIAA. Oddly enough, the Spanish counterpart was practically equally successful snatching more than 1.5 million copies to date according to RIAA. Oral Fixation Vol. 2 has also gone on to sell over 8 million copies worldwide. The album, went on to spawn two more singles. "Hips Don't Lie", featuring Wyclef Jean, was released as the album's second single in February 2006. The song went on to become the highest–selling single of the 21st century and became Shakira's first number-one single on the Billboard Hot 100, in addition to reaching number one in over 50 countries. Shakira and Wyclef Jean also recorded a bamboo version of the song to serve as the official theme of the 2006 FIFA World Cup.
In early 2007, Shakira worked with American R&B singer Beyoncé for the track "Beautiful Liar" which was released as the second single from the deluxe edition of Knowles' B'Day. In April 2007, the single jumped ninety-one positions, from ninety-four to three, on the Billboard Hot 100 chart, setting the record for the largest upward movement in the history of the chart at the time.
After that success, She Wolf was released in October 2009 internationally and then on November 23, 2009 in the U.S. The album received mainly positive reviews from critics, but only managed to sell 89,000 copies in its first week in the U.S., earning the number–15 spot on the Billboard 200. It has gone on to sell only 300,000 records in the U.S., becoming her least successful album there. However, the album has been moderately successful worldwide, having been certified Gold in Russia, Ireland, Switzerland, Poland, France, Argentina, Greece, and Hungary, Platinum in Spain, the United Kingdom, and the Middle East, 2x Platinum in Colombia and Mexico, and 3x Platinum in Taiwan. To date, the album has sold 3 million copies worldwide, becoming Shakira's least successful studio album to date in terms of sales. The lead single, "She Wolf" and "Loba" were successful worldwide, reaching number one in Latin America, number two in Germany, Ireland, Italy, Estonia and Spain, number three in Switzerland and Austria, number four in the UK, France and Greece, number five in Canada and Belgium, number six in Finland, number nine in Japan, and number 11 in the U.S.
Christina Aguilera had been very successful in English, as in 2000, Aguilera began recording her first Spanish-language album with producer Rudy Pérez in Miami. Later in 2000, Aguilera first emphasized her Latin heritage by releasing her first Spanish album, Mi Reflejo, on 12 September 2000. This album contained Spanish versions of songs from her English debut as well as new Spanish tracks. However, some criticized Aguilera for trying to cash in on the Latin American music boom at the time. According to Pérez, Aguilera was only semi-fluent while recording. She understood the language, because she has grown up with her father, who is a native of Ecuador. He added, "Her Latin roots are undeniable." The album peaked at number 27 on the Billboard 200 and went number one on the Billboard Latin Charts for a record 20 weeks. In 2001, it won Aguilera a Latin Grammy Award for Best Female Pop Vocal Album. The album went Gold in the U.S. She also won the World Music Award as the best selling Latin artist that year.
Jennifer Lopez officially released her first full Spanish-language album, Como Ama una Mujer, in March 2007. Her husband, singer Marc Anthony, produced the album with Estefano, except for "Qué Hiciste", which Anthony co-produced with Julio Reyes. The album peaked at number ten on the Billboard 200 and number one on the U.S. Top Latin Albums for four straight weeks, and on the U.S. Latin Pop Albums for seven straight weeks. The album did well in Europe, peaking at number three on the albums chart, mainly due to the big success in countries such as Switzerland, Italy, Spain, France, Belgium, Greece, Germany, Austria, and Portugal.
On 24 July 2007, Billboard magazine reported that Lopez and husband Marc Anthony would co-headline a worldwide tour called "Juntos en Concierto" starting in New Jersey on 29 September. Tickets went on sale on August 10. The tour was a mix of her current music, older tunes, and Spanish music. In a later press release, Lopez announced a detailed itinerary. The tour launched 28 September 2007 at the Mark G. Etess Arena and ended on 7 November 2007 at the American Airlines Arena in Miami, Florida. The lead single, "Qué Hiciste", was officially released to radio stations in January 2007. Since then, it has peaked at 86 on the U.S. Billboard Hot 100 and number one on the Hot Latin Songs and the Hot Dance Club Play. It also went top ten on the European chart. The video for the song was the first Spanish-language video to peak at number one on MTV's Total Request Live daily countdown.
Lopez won an American Music Award as the Favorite Latin Artist in 2007. With Como Ama Una Mujer, Jennifer Lopez is one of the few performers to debut in the top 10 of the Billboard 200 with a Spanish album.
This century also saw the crossover of some of Mexican recording artist like Paulina Rubio and Thalía into the English music industry, with bilingual albums that included hit songs in English and Spanish, and the first solo English-language albums by this Mexican Pop artist. The best recording crossover artist has been Paulina Rubio with her first English-language album being Border Girl released on June 18, 2002. The album's lead single "Don't Say Goodbye" would become her most successful song in English until her second bilingual album Brava! Two of its three singles, "Me Gustas Tanto" (English: I Like You So Much) and "Boys Will Be Boys", became hits for Rubio with "Boys Will Be Boys" being Rubio's most successful English song to date. The other singles released from the Border Girl album were "Casanova" and "I'll Be Right Here (Sexual Lover)". Each of the main single releases, as well as other English songs on the album, have Spanish-language counterparts that became big hits on Billboard's Hot Latin Songs chart and vice versa for songs like "Casanova", which has an English-language counterpart of the same name. The Spanish-language counterpart for the song "I'll Be Right Here (Sexual Lover)" is "Y Yo Sigo Aquí" (English: "And I'm Still Right Here"), the Spanish version of the song by Rubio, taken from her fifth studio album Paulina. Selena Gomez was recognized as the Billboard Woman of the Year in 2017.
In addition to collaborations with English recording artists like Paulina's song "Nada Puede Cambiarme" (English: Nothing Can Change Me), the music video, like the song itself, wouldn't have been complete without presence of the legendary former Guns N' Roses' guitarist, Slash. Thalia has collaborated with legendary American singer of traditional pop standards Tony Bennett in a duet for the song "The Way You Look Tonight". Viva Duets is the studio album by Tony Bennett, released in October 2012. Thalía's first English-language album, shares a title with Thalía's 1990 and 2002 Spanish-language albums.
"I Want You" was the album's most popular song, peaking at number 22 on the Billboard Hot 100 and number seven in the Mainstream chart. It is her only song to date that has charted within the Billboard Hot 100. In Greece, the song peaked number twenty-six in Top 50 singles sales. The Spanish version of the song, "Me Pones Sexy", was released for the Spanish-language audience and also performed quite well on the Latin charts, peaking within the top ten of the Hot Latin Tracks at number nine. The album's music incorporated Latin pop styles with rock, R&B, dance, and mariachi elements. Vicente Fernandez, Mexican singer of traditional pop ranchera standards and cultural icon, also collaborated with singer Tony Bennett in a duet for Viva Duets for the song "Return To Me" ("Regresa a Mí").
Shakira collaborated with the South African group Freshlyground to create the official song of the 2010 FIFA World Cup in South Africa, "Waka Waka (This Time for Africa)", which is based on a traditional Cameroonian soldiers' Fang song named "Zangalewa" by the group Zangalewa or Golden Sounds. The song was made popular in her native Colombia in 1987 through west African DJs in Colombia. The single later reached the top 20 in Europe, South America and Africa and the top 40 in the U.S., and was performed by Shakira at the World Cup kick-off and closing. The Spanish version was successful as well.
Sale el Sol was released as Shakira's seventh studio album on 19 October 2010. It has both English and Spanish songs. Shakira and Enrique Iglesias have retained their roles as some of the most successful crossover artists this decade.
Contemporary Latin American music [ edit ]
Today, Latin American music has become a term for music performed by Latinos regardless of whether it has a Latin element or not. Acts such as Shakira, Jennifer Lopez, Enrique Iglesias, and Pitbull are prominent on the pop charts. Iglesias, who holds the record for most No. 1s on Billboard's Hot Latin Tracks, released a bilingual album inspired by urban acts, and he frequently releases two completely different songs to Latin and pop formats at the same time. Mainstream artists and producers tend to feature more on songs from Latin artists and it's also become more likely that English language songs crossover to Spanish radio and vice versa.
Viva Duets is a studio album by Tony Bennett, released in October 2012. The album is sung in English, Spanish and Portuguese, and features Latin American singers. Album's adaptations were written by Andres Castro, Edgar Barrera, Miguel Bose, Ricardo Arjona, Kany Garcia, Thalia, Franco De Vita, Dani Martin, and Mario Molina Montez.
The 2014 FIFA World Cup opening ceremony had performers that were dressed as several types of trees and flowers. The entire ensemble performed three separate acts leading up to the finale where the ball opened up to reveal Brazilian singer Claudia Leitte, who sang alone for a few minutes before being joined by Jennifer Lopez and Pitbull, with whom she performed the tournament's official song "We Are One (Ole Ola)", which was co-written and recorded by the three artists. Both the Cuban-American rapper and Mexican-American pop star Pitbull and Becky G were invited to perform at the closing ceremony of the Copa América Centenario soccer tournament at the MetLife Stadium in 2016. After having done English music, with only one song having mainstream success, ever since 2016, Gomez herself has released several Spanish singles: "Sola", "Mangú", "Todo Cambio", and "Mayores". Gomez has confirmed that her debut album will be completely in Spanish. Three-time Grammy nominated miguel del Aguila has represented the cross-over between Latin and classical with his 45 CDs released and over 125 works.
In 2018, Latin music became the fifth most popular and successful music genre in the U.S., surpassing country and EDM. Nearly 11 percent of song consumption (including streams and digital sales) and 9.4 percent of album consumption (streams, physical and digital sales) in 2018 was from Latin music.
In 2017, Luis Fonsi and Daddy Yankee's "Despacito" (which also became the most viewed video in the site's history), was the most viewed music video on YouTube that year. In 2018, that accolade was passed on to the remix of Nio García, Casper Mágico and Darrell's "Te Boté" featuring Nicky Jam, Bad Bunny, and Ozuna, which currently has 1.8 billion views. Of the top 10 most viewed music videos on YouTube in 2018, eight were from Latin music artists. The Latin pop song "Havana" by Camila Cabello featuring Young Thug reached No. 1 on the Hot 100.
Perhaps the biggest subgenre of Latin American Music, Latin Trap has emerged to be one of the most popular genres of music to this day. Latin Trap, also known as Spanish Trap or trapeton, is a style of trap music that is infused and influenced by Latin Hip Hop and Reggaeton.
Paving the way for Latin trap artists all over the world is Puerto Rico's own Bad Bunny. Bursting into the music scene in 2016, Bad Bunny is a chart-topping Latin trap artist based in San Juan. With hit songs like "I Like It" with Cardi B and J Balvin, which became the first Latin trap song to reach No. 1 the Billboard Hot 100, and "MIA" featuring Drake, which debuted at No. 5 on the Hot 100 in October 2018, Bad Bunny is one of the most successful Latin artists of his generation.
The 2018 Top Latin Artist Billboard award was won by Dominican-Puerto Rican reggaeton and Latin trap singer, Ozuna. Ozuna's infectious music has put him on top of Latin song charts and was even named YouTube's most watched artist of 2018.
Ozuna released his first studio album titled Odisea on August 25, 2017. His song, "Me Niego", alongside Reik and Wisin, peaked at number 6 and his song "El Farsante", featuring Romeo Santos, peaked at number 2. In his second studio album, Aura, he took part in one of the most anticipated collaborations of the year with Cardi B, and their song, "La Modelo", debuted at number 3 on the Hot Latin charts. Ozuna's most recent collaboration was with American singer Selena Gomez, Cardi B, and DJ Snake. Their song, "Taki Taki", took the U.S by storm. It debuted at number 1 and then led the Hot Latin chart for 13 weeks.
The popularity of Latin music has increased over the years. While Latin music has always had a place in the American music industry, there's certainly been a rise of the music and has become mainstream. Its high demand has helped many Spanish speaking artists. It is reaching a greater audience in the United States and outside the Spanish speaking world. The growth of Latin music has resulted for the opportunity for female Latin artists to dominate in the music industry as well.
2018 was a breakthrough year for women in Latin music. Female artists like Dominican singer and songwriter Natti Natasha and singer and actress Becky G are a few of the young Latinas who climbed the male dominated reggaeton music charts in 2018. This was especially true after Becky G and Natti Natasha's song, “Sin Pajamas”, ranked in the top ten most viewed music uploads worldwide, according to Rolling Stone. Latin pop growth has helped non-Latin recording artist as they pair with popular Latin stars, thus increasing collaborations. The collaborative efforts between Spanish speaking and English speaking artist is a testament to how big the genre has gotten. In 2018, Latin pop appears to have been more traction than it did in the 1990s Latin boom. With that being said, it is a dominant force in the music industry with no signs of slowing down.
Awards [ edit ]
The Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, awards Latin performers in four categories as of 2018: The Grammy for Best Latin Pop Album, Best Latin Rock, Urban or Alternative Album, Best Regional Mexican Music Album (including Tejano), and Best Tropical Latin Album. The ALMA Award, also highlighting the best American Latino contributions to music, promote fair and accurate portrayals of Latinos and was first awarded in 1995.
The most prestigious Latin American music awards in Spanish in the United States are broadcast by the two biggest Spanish networks Univision and Telemundo. Univision is the broadcaster of the Latin Grammy Awards and Premios Lo Nuestro ("Our Thing Awards"). Before the Latin Grammy Awards inception in 2000, the Lo Nuestro Awards were considered as the Grammy Award equivalent for Latin music. Therefore, the Lo Nuestro ceremony was advanced from May to February since the first Latin Grammy Awards were held in September 2000.
Premios Lo Nuestro was first awarded in 1989 by the network to honor the previous year's top artists in Latin music with nominees initially selected by Univision and Billboard and winners decided by viewers. After Billboard created its own Latin Awards ceremony in 1994, the nominees and winners were selected by a poll conducted among program directors of Spanish-language radio stations throughout the United States, with results were tabulated and certified by Arthur Andersen. In 2004, the network launched Premios Juventud ("Youthfulness Awards"), a viewer-decided awards show (similar in format and identical in target audience to the Teen Choice Awards), honoring Hispanics and Latinos in film, music, sports, fashion and pop culture. On August 24, 2005, Univision acquired the rights to broadcast the Latin Grammy Awards (which aired on the network for the first time exclusively in Spanish on November 3 of that year), after organizers with the Latin Recording Academy chose to end its four-year relationship with CBS, having canceled the 2001 broadcast following the September 11 attacks, were rebuffed by executives with that network in efforts to retool the show to better cater to a Hispanic audience. The Latin Recording Academy extended its agreement with Univision to televise the Latin Grammys for six years on June 26, 2012. Telemundo is the broadcaster of the Billboard magazine with the Billboard Latin Music Awards first awarded in 1994. In October 2015, through a licensing agreement with Dick Clark Productions signed in July 2014, Telemundo became the originating broadcaster of the Latin American Music Awards (Premios de la Música Latinoamericana), a Latin music-focused version of the American Music Awards.
See also [ edit ]
References [ edit ]
- Edmondson, Jacqueline (2013). Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories That Shaped Our Culture. ABC-CLIO. p. 639. ISBN 9780313393488. Archived from the original on 2017-02-07. Retrieved 2016-10-25.
- Torres, George (2013). Encyclopedia of Latin American Popular Music. ABC-CLIO. p. xvii. ISBN 9780313087943. Archived from the original on 2015-11-30. Retrieved 2015-11-11.
- Edwards, Bob (September 13, 2000). "Profile: Latin Grammys at the Staples Center in Los Angeles". NPR. Archived from the original on September 24, 2015. Retrieved August 7, 2015.
Barkley, Elizabeth F. (2007). Crossroads : the multicultural roots of America's popular music (2. ed.). Upper Saddle River, NJ: Pearson Prentice Hall. p. 232. ISBN 9780131930735.
The U.S. record industry defines Latin music as simply a release with lyrics that are mostly in Spanish.
- Lawrence, Larry; Wright, Tom (January 26, 1985). "¡Viva Latino!". Billboard. 97 (4): 53, 62. ISSN 0006-2510. Archived from the original on May 19, 2016. Retrieved April 9, 2015.
- Furia, Philip (2004). Skylark: The Life and Times of Johnny Mercer. Macmillan. p. 263. ISBN 978-1-4668-1923-8. Archived from the original on 2017-02-14. Retrieved 2019-08-30.
O'Neil, Brian (2005). "Carmen Miranda: The High Price of Fame and Bananas". In Ruiz, Vicki L.; Sánchez Korrol, Virginia (eds.). Latina Legacies. Oxford University Press. p. 195. ISBN 978-0-19-515398-9.
the power that Hollywood films could exert in the two-pronged campaign to win the hearts and minds of Latin Americans and to convince Americans of the benefits of Pan-American friendship
- "Pérez Prado | Biography, Albums, Streaming Links". Archived from the original on 2019-10-23. Retrieved 2019-11-13.
- A Pictorial History of Radio, Settel Irving Grosset & Dunlap Publishers, New York, 1960 & 1967, Pg. 146, Library of Congress #67-23789
- "The Strachwitz Frontera collection of Mexican and Mexican American Recordings- Eva Garza Biography on frontera.library.ucla.edu". Archived from the original on 2018-06-12. Retrieved 2019-02-04.
- Dissonant Divas in Chicana Music: The Limits of La Onda Deborah R. Vargas. University of Minnesota Press, Minneapolis, 2012 p. 155-157ISBN 978-0-8166-7316-2 Eva Garza and Viva America on google.books.com
- The Tango in the United States: A History Carlos G. Groppa. MacFarland & Co., North Carolina, 2004ISBN 978-0-7864-4681-0 p. 144 Eva Garza and Terig Tucci on google.books.com
- Media Sound and Culture In Latin America and the Caribbean Editors Alejandra Bronfman and Andrew Grant Wood. University of Pittsburgh Press 2012 p. 49 "Viva America", Elsa Miranda and Terig Tucci, Alfredo Antonini, CBS Pan American Orchestra, Nestor Mesta Chayres, Juan Arvizu on Gogle.books.com
- "Buzz Briefs: Luis Miguel, Bon Jovi". CBS News. July 8, 2008. Archived from the original on August 11, 2013. Retrieved December 12, 2014.
- "Hoy Tengo Ganas De Ti [feat. Christina Aguilera]: Alejandro Fernández". Amazon.es (Spain). May 14, 2013. Retrieved October 11, 2013.
- "Viva Duets". Allmusic. Rovi Corporation. Archived from the original on October 30, 2012. Retrieved October 24, 2012.
- Rothman, Lily (October 23, 2012). "Viva Tony Bennett: The Singer on His New Duets Album, Taking Lady Gaga's Call and His Dream Collaborator". Time. Archived from the original on October 23, 2012. Retrieved October 23, 2012.
- "World Cup 2014 opening ceremony – as it happened". Guardian. 12 June 2014. Archived from the original on 12 June 2014. Retrieved 13 June 2014.
- "Archived copy"(PDF). Archived(PDF) from the original on 2019-05-14. Retrieved 2019-05-14. CS1 maint: archived copy as title (link)
- "Archived copy"(PDF). Archived(PDF) from the original on 2018-12-09. Retrieved 2019-05-14. CS1 maint: archived copy as title (link)
- "20 of the Most Viewed YouTube Videos of all Time [Updated Feb 2020]". 15 March 2019. Archived from the original on 2019-05-14. Retrieved 2019-05-14.
- "Archived copy". Archived from the original on 2019-05-14. Retrieved 2019-05-14. CS1 maint: archived copy as title (link)
- "These Are the 10 Most Watched Music Videos on YouTube of 2018". Archived from the original on 2019-05-14. Retrieved 2019-05-14.
- Cobo, Leila (July 3, 2018). "The Times Have Changed: What 'I Like It' Hitting No. 1 Means to Latin Music". Billboard. Retrieved July 6, 2018.
- "How Bad Bunny Took Over Pop -- Singing Exclusively In Spanish". Billboard. 14 February 2019. Archived from the original on 2019-04-26. Retrieved 2019-05-14.
- "Ozuna Named YouTube's 2018 Most-Viewed Artist Globally". 6 December 2018. Archived from the original on 2019-05-16. Retrieved 2019-05-14.
- "The Year in Latin Charts: All of Ozuna's Songs on the Year-End Hot Latin Songs List". 8 December 2018. Archived from the original on 2019-06-11. Retrieved 2019-05-14.
- "The Year in Latin Charts: All of Ozuna's Songs on the Year-End Hot Latin Songs List". 8 December 2018. Archived from the original on 2019-06-11. Retrieved 2019-05-14.
- Caulfield, Keith (March 8, 2020). "Lil Baby Earns First No. 1 Album on Billboard 200 Chart With 'My Turn'". Billboard. Retrieved March 9, 2020.
- "Grammy Awards at a Glance". Los Angeles Times. Tribune Publishing. Archived from the original on June 29, 2012. Retrieved April 24, 2010.
- "Seis nominaciones para Son by Four". Que Pues (in Spanish). Grupo Editorial Zacatecas, S. A. de C. V. January 9, 2001. Archived from the original on June 16, 2013. Retrieved August 13, 2013.
- "Historia: Premios Lo Nuestro". Terra. Terra Networks, Inc. February 6, 2006. Archived from the original on October 2, 2013. Retrieved June 10, 2013.
- "Univision Announces the Nominees for Spanish-language Music's Highest Honors Premio Lo Nuestro a la Musica Latina" (Press release). Univision Holdings, Inc. March 27, 1996. Archived from the original on September 27, 2015. Retrieved November 7, 2015 – via The Free Library.
- John Lannert (March 30, 1993). Secada Lead Latin Noms Following Grammy Win. Billboard. 105. Nielsen Business Media. p. 10. Archived from the original on January 3, 2016. Retrieved November 7, 2015.
- Maria Elena Fernandez (August 24, 2005). "Awards show will move to Spanish-language network". Los Angeles Times. Tribune Publishing. Archived from the original on October 18, 2015. Retrieved November 7, 2015.
- Chris Morris (June 26, 2012). "Latin Grammys on Univision for another six years". Variety. Penske Media Corporation. Archived from the original on January 23, 2016. Retrieved November 7, 2015.
- Alex Ben Block (July 30, 2014). "Telemundo Will Produce a Spanish-Language American Music Awards in 2015". Billboard. Prometheus Global Media. Archived from the original on May 23, 2015. Retrieved November 7, 2015.
- Jessica Lucia Roiz (September 2, 2015). "Latin American Music Awards 2015: Telemundo Announces Hispanic Version Of AMAs To Debut This Fall". Latin Times. IBT Media. Archived from the original on October 11, 2015. Retrieved November 7, 2015.